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・ Frederick, Duke of Opava
・ Frederick, Duke of Saxe-Altenburg
・ Frederick William I of Prussia
・ Frederick William I, Duke of Schleswig-Holstein-Sonderburg-Beck
・ Frederick William II
・ Frederick William II of Prussia
・ Frederick William II, Duke of Schleswig-Holstein-Sonderburg-Beck
・ Frederick William II, Prince of Nassau-Siegen
・ Frederick William III of Hesse
・ Frederick William III of Prussia
・ Frederick William III, Duke of Schleswig-Holstein-Sonderburg-Beck
・ Frederick William IV of Prussia
・ Frederick William Johnston
・ Frederick William Kaess
・ Frederick William Koko Mingi VIII of Nembe
Frederick William Lawrence
・ Frederick William Lehmann
・ Frederick William Lord
・ Frederick William MacMonnies
・ Frederick William Magrady
・ Frederick William Matthiessen
・ Frederick William Palmer
・ Frederick William Pavy
・ Frederick William Payn
・ Frederick William Piesse
・ Frederick William Pirie
・ Frederick William Ratcliffe
・ Frederick William Richard Fryer
・ Frederick William Ricord
・ Frederick William Robertson


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Frederick William Lawrence : ウィキペディア英語版
Frederick William Lawrence

Frederick William Lawrence (1892-1974) was a Canadian/American airbrush painter, and probably the father of realistic spray painting.
Formerly an officer of the Royal Canadian Mounted Police (RCMP), he served with the Canadian Army in World War I, where he was severely wounded. After months of hospitalisation, he was shipped home to Canada. Once he fully recovered, he moved to Michigan, where he worked for Pontiac Motor Company, where he learned to finish cars and to operate a Duco spray gun.
Around 1930, he moved to Oklahoma City, Oklahoma, where he worked as an auto body refinisher, and began to experiment with painting pictures using the spray gun during breaks.
As he honed his skills, he was featured in various science magazines, Time Magazine and on Ripley's Believe It Or Not. Lawrence began giving performances at automobile shows, spray painting realistic portraits and landscapes in less than an hour. As more airbrush artists began copying his techniques, however, the novelty of his work began to fade, and by World War II, Lawrence was one of thousands of commercial airbrush artists, and died in relative obscurity.



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